Dolly Parton’s “It’s All Wrong, But It’s Alright,” released in 1977 on her album *Here You Come Again*, is a classic example of the country legend’s ability to blend vulnerability with a touch of defiance. Parton, a prolific singer-songwriter and actress, was already a well-established star at this point, known for her powerful vocals, sparkling personality, and insightful songwriting that often tackled complex themes.
This particular song delves into the morally ambiguous territory of a budding affair with a married man. The lyrics openly acknowledge the “wrongness” of the situation, highlighting the societal taboo and potential for heartbreak. Lines like “It’s all wrong, but it’s alright / Doing what we’re doing tonight” perfectly encapsulate the conflict between desire and conscience. Parton doesn’t shy away from the potential pain; she portrays a woman swept up in the moment, choosing to embrace the passionate, if forbidden, connection.
While “It’s All Wrong, But It’s Alright” didn’t achieve the crossover pop success of some of Parton’s other hits, it was a solid country performer, reaching number one on the US and Canadian Country Charts. This fact is a success.
The song resonated strongly with audiences, particularly women. The audience appreciate the vulnerability and emotion in Dolly Parton’s voice. Many praised Parton’s honest portrayal of a complicated emotional landscape, a subject often glossed over in more traditional country music. Some listeners found the subject matter controversial, demonstrating the song’s ability to spark conversation and challenge societal norms. It remains a testament to Parton’s songwriting skill, her ability to tap into universal human experiences, even those shrouded in secrecy and guilt, and deliver them with characteristic warmth and empathy. The track continues to be appreciated for its raw honesty and Parton’s captivating performance.
