Loretta Lynn – The Pill

About The Song

In the storied career of Loretta Lynn, there is perhaps no song more provocative, courageous, or emblematic of her trailblazing spirit than “The Pill.” Released in 1975, though recorded a few years earlier, this bold anthem is far more than just a catchy country tune—it is a cultural landmark, a musical line drawn in the sand at a time when the nation was still grappling with the social upheavals of the sexual revolution and the women’s rights movement. With “The Pill,” Loretta Lynn did what few artists—male or female—had the nerve to do: she used the power of country music to spark a conversation about female autonomy, reproductive freedom, and the shifting roles of women in society.

At its heart, “The Pill” is a declaration of liberation. The narrator, a long-suffering wife and mother, announces with clear-eyed triumph that she’s finally gained control over her body and her future thanks to birth control. “This old maternity dress I’ve got is goin’ in the garbage,” she sings with unmistakable glee, signaling not just the end of another pregnancy, but the beginning of a new chapter—one defined by choice, independence, and a long-overdue say in her own destiny.

What made “The Pill” so extraordinary in its time—and still relevant today—was the unflinching honesty of its message, delivered through Lynn’s signature blend of sass, wit, and working-class realism. She didn’t preach or pontificate. She told the truth as she saw it, grounded in the experiences of countless rural women who had few options and even fewer advocates. The song’s upbeat tempo and playful tone only underscore its subversive power. It’s not angry or militant—it’s jubilant. And that joy is revolutionary.

Of course, such candor didn’t come without backlash. Many country radio stations refused to play the song, fearing its subject matter would alienate conservative listeners. But the public had other ideas. “The Pill” quickly became one of Lynn’s most talked-about releases, earning praise from feminist thinkers and everyday women alike. It reached audiences far beyond traditional country music fans and helped cement Loretta Lynn not just as a singer of songs, but as a voice of change.

Today, “The Pill” stands as a milestone in both musical and social history. It’s a reminder that true artistry doesn’t just reflect the world—it has the power to challenge it, reshape it, and sometimes even liberate it. And in this case, it came with a steel guitar and a knowing smile from a coal miner’s daughter who never stopped telling it like it is.

Video

Lyric

🎵 Let’s sing along with the lyrics! 🎤

You wined me and dined me when I was your girl
Promised if I’d be your wife, you’d show me the world
But all I’ve seen of this old world is a bed and a doctor bill
I’m tearing down your brooder house ’cause now I’ve got the pill

All these years, I’ve stayed at home while you had all your fun
And every year that’s gone by, another baby’s come
There’s gonna be some changes made right here on Nursery Hill
You’ve set this chicken your last time ’cause now I’ve got the pill

This old maternity dress I’ve got is going in the garbage
The clothes I’m wearing from now on won’t take up so much yardage
Miniskirts, hot pants, and a few little fancy frills
Yeah, I’m making up for all those years since I’ve got the pill

I’m tired of all your crowing how you and your hens play
While holding a couple in my arms, another is on the way
This chicken’s done tore up her nest and I’m ready to make a deal
And you can’t afford to turn it down ’cause you know I’ve got the pill

This incubator is over-used because you’ve kept it filled
But feeling good comes easy now since I’ve got the pill
It’s getting dark, it’s roosting time, tonight’s too good to be real
Aw, but Daddy don’t you worry none ’cause Mama’s got the pill
Oh, Daddy don’t you worry none ’cause Mama’s got the pill